“Flight to Ohio” begins in 1836, as 21-year-old Tom and his mother Nellie escape slavery on a Virginia plantation. They soon discover that Tom, the bastard son of the white master, passes as white when he is not seen with his mother. Tom must make a choice as to how to live. The stakes are raised when he courts and marries 18-year-old Sarah Long, a young white woman from a respected local farm family.
What is lost when identity is concealed? What price is paid? Tom’s emotional story unfolds against the backdrop of the Cincinnati race riots of 1836 and 1841 and the oncoming Civil War. In a place and time beset with racism, hate, jealousy and violence, the novel’s characters forge deep evolving loves, friendships, and loyalties as they move towards freedom, their ultimate goal.
This is the author’s imagined story of her own maternal ancestry.
1836 is the year my maternal great-great grandfather arrived in southern Ohio. The 1903 Atlas of Warren County reads at page 91: “Thomas Jones was born in Campbell County, Virginia, September 4, 1815 and died October 9, 1900, aged 85 years. When he was twenty-one years old he came to Ohio, a poor boy, with nothing but his hands and an honest purpose.”
My mother began telling me the rumors when I was eight, rumors she mostly denied. She did admit it was true her great-grandfather Thomas Jones walked up to Ohio from Virginia with a colored woman and “she didn’t understand what that was all about.” As a young schoolteacher in rural southern Ohio she received anonymous notes she called hate letters: “We know you have colored blood.” My sister, ten years older than I, later told me how distraught Mother was when she received the notes.
Several years ago, with both parents dead, I took a DNA test. I show two percent Subsaharan African and five percent East Asian blood. A slave ancestor from the West or East Indies? Am I the last of my family in whom the heritage with which I inwardly identified all my life is measurable?
Haunted by the fact I can find no history of Thomas Jones’ ancestors, by the rumors, by stories from my Jones cousins, but mostly by the pain I saw behind my mother’s eyes, I imagined a story that became this book.
Tayen Lane's mission is to publish new voices across all genres. We publish work that challenges, deeply engages, and facilitates physical/mental health and awareness. We believe that the time is ripe for new voices, fresh ideas, alternative stories and an evolutionary change of direction—a change that sets free the truth behind raging propaganda and a world history written by the victors. We'd also like to give the underdog with a nicely written manuscript the chance to engage the world. It's time for people with empowering, timely, and outside-of-the-mainstream works to offer their advice and inspirations—to tell their stories.
Kermit Heartsong author, entrepreneur, award-winning game designer, has written three non-fiction books (The United States of Mammon, Illusions, Dystopia & Monsters, Ukraine: ZBIG's Grand Chessboard and How the West Was Checkmated) and has published 75 fiction, nonfiction, and poetry books. He has also co-developed and patented a neurally-networked software engine for DNA mapping and agricultural, biomedical and astronomical data management. His love, however, has always happily danced on the creative side of the fence. This led to the founding of Tayen Lane Publishing in 2014, which represents a return to a creative avocation—the written word and design. Kermit brings a lifetime of writing experience, a quarter century of entrepreneurial and executive management experience, and years of publishing experience to Tayen Lane Publishing. He lives in San Francisco and, at times, in Montreal. Kermit is a music and art lover, a prolific reader, and an arm-chair philosopher. He considers himself a 'QuantumSpiritualist'—aware that God and spirituality and science have all meet to inform us that "there is no Other, only the One." Kermit's upcoming book, The God in Us Knows will debut Spring 2017.
Irina Kuzminsky has spent her life in a quest for the feminine dimension of God, and poetry, dance and music are an intrinsic part of that journey. Born in Australia of White Russian descent, she combines classical music and dance training with an academic background, including a scholarship to Oxford where she wrote her doctorate on the ‘Language of Women’ and was elected Junior Research Fellow in Humanities at Wolfson College. Poetry publications include Dancing with Dark Goddesses, Light Muses (with artist Jan Delaney), Into the Silence, Poems and Articles in Soul of the Earth, Esoteric Quarterly, Acumen, Caduceus, Poetrix, and others. As Irinushka she has released three CDs of her poetry set to music, Would That I Could, Roads Travelled which featured on the ZoneMusicReporter top 100 chart for New Age music, and Orpheus Sings. Her one woman dance, poetry and music fusion show Dancing with Dark Goddesses has been seen in New York, Melbourne, Germany and the UK.
JEANNE THORNTON is the author of The Dream of Doctor Bantam and The Black Emerald, as well as creator of the comics Bad Mother and The Man Who Hates Fun. She has worked in publishing since 2008. More information about her is available at http://fictioncircus.com/Jeanne.
Emma is not Desperately Seeking Susan (a film she watched with rapt fascination from her cradle), she’s desperately seeking talented writers and provocative manuscripts across the various genres supported by Tayen Lane Publishing. A graduate of the University of Cambridge, Emma joined Tayen Lane in 2014, after a stint with Shepheard-Walwyn, an independent publisher based in London. Emma is a voracious reader, a dabbler in martial arts (she holds black belts in judo and aikido), a failed fashion designer and a superhero when it comes to whipping up culinary delights.
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